Sunday, May 18, 2008

Bluegrass and Mead

In conjunction with our article on Honey Wine and CCD we traveled to Sperryville Virginia in order to taste the Mead products of Smokehouse Winery. The winery is located at the Blue Ridge Foothills and the drive along Rt. 211 is one of the most scenic that you will find in central Virginia. Upon arriving at the winery and entering the historic log cabin we regretfully found that they only had samples of their Traditional Mead and not the wide array of concoctions we had anticipated: Metheglin, Melomel, Cyser, and Braggot. The later is only a week away - but this served as a valuable lesson to call ahead of time. Our regret was easily overcome. The Traditional Mead is outstanding - possibly the best we tasted on the east coast. Truth be told, the only non-east coast honey wine we've tasted is from Missouri's Pirtle Winery. Smokehouse's Traditional Mead is labeled as semi-sweet, but this is more dry than sweet. It is made from honey fermented with champagne yeast and well water. These ingredients produce an awesome honey wine - one that we enjoyed the whole bottle later that evening.

The second factor which alleviated our regret, was that we learned that owner, John Hallberg, is a musician and hosts several concerts at the winery. On Memorial Weekend Saturday (May 24th) he hosts the Shenandoah Shindig which includes local bluegrass favorites the Woodshedders and Furnace Mountain. He will also host a similar concert in August; but look out for October, when Larry Keel is scheduled. This is one show we will not miss.

Wednesday, May 7, 2008

Shannon Wurst @ Merlefest

The talented Shannon Wurst agreed to be the MyJoog.com representative at Merlefest and provided this excellent commentary of her experience:

It started with packing up the car. The tent, the coleman stove, thermarest, and all the camping gear was piled beneath my guitar and camp chair. It was Merlefest 2008!
This was my third time to attend the festival held in on the Wilksboro, NC on the Wilkes Community College Campus. The festival commemorates Merle Watson, Doc's son, who died in a tragic accident. The festival started as a one time only fundraiser in 1987 and has grown into it's 14 stages, attracting thousands.

If you go expecting to see and do everything, you just can't. Thursday, the opening evening of the festival I got to see Marty Stuart and his Fabulous Superlatives. In my book, Marty is one of the best entertainers out there! It doesn't matter if you not a fan of country music, he is sure to impress with his mandolin playing and the band's tight harmonies, not to mention his silver held-n-place hair! He was followed by the Wilders on the the adjacent Cabin Stage. If you have not checked these guys out, you have to. They are long time attendees of Winfield, KS where I first saw them several years ago. The Kansas City based group will no doubt make your dance or at least wiggle in your camp chair. Old Crow Medicine Show closed the main stage, and pleased the audience of young and old with their anthem, "Wagon Wheel."

After the closing act, I made my way back to camp at the water sewer treatment center (much nicer that it sounds) where I did some late night picking with some of my old Boone, NC friends. A campfire combined with a few nips of cheap whiskey kept away the spring night's chill.

Friday morning came early to me. After some much needed bacon and eggs it was back to the festival grounds, which is about a 30-45 min venture including the bus wait and ride. I checked out Laurie Lewis and Tim O'Brien in "They Write the Songs," which was insight the the ideas behind their inspiration behind song writing. I find these types of concerts particularly delightful. The Austin stage is a hillside stage with a bit of morning sun, and a great place to relax and listen to these two incredible songwriters. I unfortunately missed the clown workshop on the Little Pickers Stage, but I did catch Doc Watson, David Holt, and Michael Coleman. Ralph Stanley joined them briefly. Doc is such a great story teller and it makes his music even more meaningful. I grew up on Doc Watson recordings, so seeing him live is a must. If you ever meet him, ask him to tell you the story about his mother's haunted wood stove!
I spent a while just roaming. You can hear music in every direction and folks laughing and talking. The festival has several tents of quality handmade crafts including soaps, pottery, and wooden art. They also have a "mall" that is full of artist's CDs and t-shirts. I could spend my year's income buying all the wonderful music they have to offer!

Friday evening I spent in the Dance tent, where I ended up spending a lot of my time, square dancing to the music of the Wilders with caller Phil Jamison (one of the best callers I have heard!) I love Merlefest square and contra dances!
Later that evening I entered my name in the songwriters coffeehouse drawing and my name was chosen to play an original song on the Lounge stage. What a treat to play my tune with other songwriters to listen. I played a new one of mine called White Walls and it got some great reception! Friday night at the camp ground was much like Thursday, except without the accordion/keyboard playing camp neighbor in the picking circle.

Saturday brought a very impressive storm. I took refuge in the Lounge with many others to wait out the storm where we shared peanut butter and cracker snacks with friendly strangers. The storm blew over, and ended up being a pretty nice Merlefest day. I went to several workshops including a vocal workshop and a bass workshop, and I brought my guitar in to pick a few in the old-time picking tent inside the festival grounds. That is another cool thing about Merlefest. They have 4 tents inside the grounds devoted to pickers, anyone welcome. They are divided into Old-time, bluegrass and a couple of "anything goes".

I caught a father daughter show that made me wish my dad was with me there followed by my favorite clawhammer player, Dirk Powell. He was joined by Martha Scanlan who is a former member of the Reeltime Travelers. She has a great album called the West was burning. I also caught Ollabelle (two thumbs up), the Lovell Sisters (talented young gals with great harmonies and stage presence), and well as North Carolina's own Chocolate Drops. I tried to get into see Tift Merritt, but there wasn't enough setting in Walker Center, so I stayed out in the lobby and listen over the loud speaker. I danced another square/contra dance, this time with Dirk Powell and Tim O'Brien, Tom Sauber and Riley Baugus with special guest Martha Scanlan. Levon Helms and the Ramble on the Road closed the stage and had the main stage audience movin' and groovin'.

Many folks leave on Sunday, but this is one of my favorite days. There was a full day of music and more room to move about. I helped build the dance stage, so I have to stick around til 5 anyway to help tear it down. So, I caught Polecat Creek, as well as Bearfoot, a young band from Alaska with some hot pickers and good songwriting. I also watched the Alberti Flea Circus a the Little Pickers tent. Turned out to be the most entertaining event of Merlefest. Sunday was a little soggy, so it made sitting on the grass a lot like sitting in the mud. So with my muddied behind, I helped to tear apart the dance floor, said good-bye to my friends I see once a year, and headed home. Another great Merlefest!

Shannon Wurst

Friday, May 2, 2008

May-June 2008 Music Festivals

The Spring\Summer music season has finally arrived. Here are a few music festivals scheduled from May-June.

May
June

Gypsy Dave and the Stumpjumpers @ Coffee East

After attending the St. Michaels Wine & Food Festival, I forced myself to see Gypsy Dave and the Stumpjumpers play at Easton's Coffee East. I had read about this group and was told by the venue's booking agent not to miss the act, so I dragged my queasy and tired soul to the coffee shop. I arrived just as they were finishing their first act which gave me time to rejuvenate slightly with some type of power mixture slushy.

Gypsy Dave and the Stumpjumpers are based out of the northwestern section of Pennsylvania and their name comes from a local term that describes the people of the region. The trio play a combination of folk and bluegrass - Americana music. Their debut CD, As the Stars Gather Light is currently in the number 34 in the Roots Country Music Report. Theband's current lineup is David Washousky (Gypsy Dave - guitar), Ryan Nageotte (upright bass) and Kevin Carducci (banjo). Carducci just recently joined the group - let's hope he remains because the trio are tight with great instrumentals and harmonies - even when they introduced a new song in which they had not practiced. Their music are all original, either written by Gypsy Dave or Carducci and the combination of instruments are pure Americana - how can you go wrong with a banjo and upright bass.

For their second set, they opened with Hey Mama, a tribute to David's mother while she recovered from a stroke and is now part of a Stroke Victims support CD. Sometime during the night they played another song that I continue to listen to from their myspace site: "Burn On". Their site also has a few songs that they picked up the pace for the rest of the show. One, "Home" - a semi gospel tune - really displays the great harmonies of the band and a message that many can relate. They finished in a frenzy - playing train and other rockin' songs, which made me start looking for the dance floor.

By the end of the night, I was completely rejuvenated and ready to hit the town - any band that can resuscitate like that is definitely worth a look. Gypsy Dave and the Stumpjumpers has a heavy summer tour schedule - from the northeast to the midwest - so there's no excuse not to hear them. We'll be looking for them in our neighborhood.

Tuesday, April 29, 2008

Doug & Telisha Williams @ The Birchmere

Doug and Telisha Williams opened for Joe Ely and Joel Guzman at the April 24 Birchmere show and weren't they a pleasant surprise. This husband and wife duo have been playing together for years - from attending the same high school, attending different colleges, and through "normal" occupations. Finally, full time musicians, the duo have the playful chemistry of spouses accompanied by excellent vocal and musical talent.

Telisha's voice is powerful - in the old school country tradition. Her vocals immediately grab your attention; a few audience members, including ourselves, exclaimed "wow" when they started. During most of the short set Doug kept the rhythm while Telisha sung and played the bass cello or mandolin. Most of their songs where off their CD Rope Around My Heart, with the title track a playful love song that the two wrote together - about each other. "Nashville" was a great song that anyone who has spent a day at Tootsie's can appreciate. Coming on a future CD, "Learning to Drink Whiskey" was another fun song, where they describe how relationships and the process of drinking the spirit are quite similar. For the last song, "Bad Attitude", Doug was finally able to exhibit his vocals and play a more rockin' arrangement that was a great finale for the set.

Doug and Telisha Williams have scheduled a full tour this summer playing festivals and small venues. Make sure you check MyJoog.com or their website for dates.

Sunday, April 27, 2008

Joe Ely & Joel Guzman

We had the opportunity to attend two consecutive shows by Joe Ely & Joel Guzman as they tour in support of their latest collaboration: Live Cactus!. The first show was Thursday April 24th at The Birchmere and the second was the following night in Easton Maryland's Historical Society Auditorium. Both performances were outstanding and displayed the immense talents of each artist. The shows were also an example how the technology acronym KISS (Keep it Simple Stupid) also works in the music world. There was just Mr. Ely on the guitar and Mr. Guzman on the accordion. Nothing else. Obviously the high cost of transporting a band was also at work but together, they have tremendous chemistry - and they never practice. Basically Ely starts a song, and Guzman waits a few seconds, picks up the rhythm and melody, and joins in. After a moment, Ely steps back so that Guzman takes center stage, and then they join forces. This process was repeated for both slow ballads and fast packed trains songs. Their version of If You Were A Bluebird was the best I've heard and during White Freightliner Blues and Boxcars, Guzman imitated train whistles and mimicked Ely on guitar as they played side by side. Improvisation at its best.

Each night we listened to tales of Lubbock and a combination of Ely's and Butch Hancock songs: Letter to Laredo, Billy the Kid, Boxcar, All Just To Get to You, If You Were A Bluebird, The Road Goes on Forever (Robert Earl Keen), She Never Spoke Spanish to Me and its sequel She Finally Spoke Spanish to Me. They paid their respects to Townes Van Zandt by playing the fore mentioned White Freightliner Blues and on Friday night Tecumseh Valley. And each night they saluted Billy Joe Shaver by playing Live Forever, which Ely learned when Shaver asked him to play it at his induction into the Songwriters Hall of Fame.

Of the two performances, the second was slightly better. It could have been the informal nature of the venue or the addition of a few of our favorite songs Silver City, I'm Gonna Strangle You Shorty, and If I Could Teach My Chihuahua to Sing. It could have been that both Ely and Guzman seemed more relaxed the second night; having a day to rest from the stresses of air travel and security lines and\or the affects of sipping a locally produced wine, St. Michaels Winery Gollywobbler Red. It may have been the three encores. Or it may have been the experience walking the short distance after the show to get a late night drink and having Mr. Ely walk in and sit at a table nearby. It was definitely a pleasure watching him cheerfully sign CDs and being completely comfortable in that environment. Its also nice to see Mr. Ely skip more established venues and play in a small town - thanks also to the efforts of Mangold Entertainment. We eagerly await both Joe Ely and Joel Guzman's return to the mid-Atlantic. If you can't wait - Live Cactus! illustrates the type of performance we heard.

Tuesday, April 22, 2008

Rolling Stone Magazine: Best of Rock

Rolling Stone Magazine has published their list of the top rock clubs, live performances, radio stations, etc. The full articles is here, but below is there list of the top 5 music venues:
This is a tough list to compile. I wonder if the editors have visited some of our favorites:
Send us your top 5 list.

Thursday, April 17, 2008

Fred Eaglesmith @ Jammin Java

On Tax Day, April 15th, we headed out to our favorite local venue to see alt-county singer-songwriter Fred Eaglesmith perform. For those non Fredheads, Eaglesmith has penned hundreds of songs recorded on over a dozen records, CDs, bottlegs, you name it. He is popular both in his native Canada, where he won a Juno - think Grammy - for Drive-In Movie and in the states, where his last release, Milly's Cafe, spent weeks in the U.S. Americana Top 10 chart. And Eaglesmith is probably the most popular non-Texan performer around Austin; who else can have a three day music festival named in their honor at historic Gruene Hall.

We were hoping to hear our favorite tunes such as Cumberland County, Alcohol & Pills, 49 Tons, and Freight Train, of which, we heard a couple, but no one walked out "disappointed". Throughout the night Eaglesmith alternated between entertaining the audience with his unique voice and needling or poking fun at the audience, hippies, yoga, and socialized medicine. No politically correctness here. The same is true for his songs. His latest CD, Tinderbox, highlights the daily struggles of southern farmers; but if you really want to hear the him rock listen to Lipstick, Lies & Gasoline. Or better yet, he plays anywhere between 150 and 200 shows a year - so attend one of these events and purchase one of his bootleg CDs. Eaglesmith also organizes or participates in several music festival throughout the year as well as two musical train trips. Where else can you become a Fredhead and watch polar bears on the same trip. Check his website for details.

Friday, April 11, 2008

Felice Brothers, Justin Townes Earle, McCarthy Trenching @ Club Iota

There are many times when we are reluctant to see a show on a week night, knowing the next morning will be painful, but as is usually the case, the night is well worth it. That was evident Thursday April 10th, when we saw McCarthy Trenching, Justin Townes Earle, and the Felice Brothers at Club Iota. McCarthy Trenching started the evening by playing several cleverly written songs about horse racing, barbecue, weddings, and Mormon girls. Nebraska born front man Dan McCarthy seems to posses the laid back Midwestern sense of humor as well as a vocal style straight from Austin. It's great to be free. The self titled McCarthy Trenching is a good CD to play during a party. Funny, good vocals, and smooth acoustics.

Justin Townes Earle performed next accompanied by Cory Younts. Earle's family tree is well known, but I still didn't know what to expect. When he first grabbed the microphone and said, "Are you ready for some hillbilly music?", I knew we were in store for a good show. And what a show. We've seen various degrees of "stage presence" this year with some lacking it entirely. Not so with Earle - he is a top flight performer. He transitioned smoothly and quickly between songs and it was a thrill to watch his picking, singing, and boots being used as percussion. His music is old school country - almost rockabilly - no pop laced Nashville sound here. The vocals raw and powerful. Listen to the Ghost of Virginia on Yuma. As good as Earle sang and played, his sidekick Cory Younts almost stole the show playing the mandolin, banjo, and harmonica - at times two harmonicas at ounce. These two are perfect compliments both musically and as a comedy team - with Earle playing the straight man and Younts the comic. At times as I watching their performance I wondered if this is how the old Sun Records tours felt. And on the ride home I repeated the performance by listening to The Good Life. South Georgia Sugar Babe and Hard Livin' are instant classics. This CD will stay in the rack for awhile.

As soon as Justin Townes Earle finished, there was little time for a bathroom break - The Felice Brothers took stage immediately. By this time, the club was completely full - the young crowd pressing against the stage. This was the band that everyone had come to see. Based out of New York, the Catskills in fact, the Felice Brothers were on the final days of a 10 week tour. Despite the weariness of the road, the band was energetic throughout - with the crowd dancing and singing along. But I'm not exactly sure what I saw. Was it a jam band, a blues band, a gospel band? There was a washboard and accordion but it wasn't zydeco. Soulful vocals and harmonies. This band does not fit into a single category - these actual brothers (Ian, Simone and James) - plus a couple "blood" brothers - just play great roots-based music. And entertaining - from ordering whiskey from the stage to dancing, to joking, and switching instruments. Now I understood the large crowd. The songs were diverse from the Dylan-ish Wonderful Life and Frankie's Gun to the gospel-ish Whiskey in My Whiskey. All these are available on the self titled The Felice Brothers. At the end the band was still energetic - coming back for an encore even after you could tell they were wiped and even huddling to catch their breathe before playing T for Texas to satisfy their fans.

I'll be following these three closely and we strongly recommend you put them on your MyJoog.com favorite's list.


Thursday, April 3, 2008

Beer, Bourbon & BBQ Festival - Timonium Fairgrounds, Maryland

On Saturday we will be venturing out to the Beer, Bourbon & BBQ Festival at Timonium Fairgrounds, Maryland. This is a very unique event which includes bourbon and beer seminars, unlimited tasting of over 60 brews and 40 bourbons,and barbecue provided by local establishments. Plus, semi-local rock band - Mr. Greengenes - will provide musical entertainment from 2:00 PM-6:00 PM. What more do you need.....

The bourbon and beer exhibitors are extraordinary. Our bar is always stocked with staples such as Booker's, Baker's, or Blanton's Single Barrel, but also attending are several I've never tasted such as Parker's Heritage, Kentucky Tavern, Jefferson's Reserve, Rock Hill Farm Single Barrel, and Raven's Run. For a truly unique experience stick to the single barrel bourbons and see why bourbon is as much a sipping drink as Scotch.

For beers, there are a wide array of styles. Vermont's Magic Hat, California's Stone Brewing Company, as well as Pennsylvannia's Erie Brewing Company have several good varieties. Watch out for the Belgium Chimay. Whereas this is an amazing beer- it's potent. Then there's National Bohemian. This often maligned Pilsner beer was once brewed locally in Baltimore but is now owned by Pabst - and brewed by Miller in North Carolina. An interesting arrangement. "Natty Boh" is underestimated and along with Schlitz is a great summer time beer that I'm convinced will compliment barbecue.

Finally, the Beer, Bourbon & BBQ Festival provides several interesting seminars. Jimmy Russell, the Master Distiller at Wild Turkey Distillery will describe "The Wonderful World of Bourbon" and then see Kirk and Mark of the WHFS Morning Show will sample and educate from their favorite bourbons. Hugh Sisson, Founder and General Partner of Clipper City will discuss his brewery's operation and will pair several Clipper City brews with barbecue. Finally, Monyka Berrocosa, Food & Wine Journalist & Educator, will discuss several styles of beer - from light lagers to porters.

Wednesday, April 2, 2008

April-June 2008 Music Festivals

The Spring music season has finally arrived. Here are a few music festivals scheduled from April-June.

April
May
June

Monday, March 31, 2008

Bastard Sons of Johnny Cash @ Club Iota

On Saturday March 29th, we made sure we attended the Bastard Sons of Johnny Cash show at Club Iota in Arlington Virginia. We started following this band after hearing Austin Nights on XM Radio X Country. This song describes Mark Stuart's - the band's frontman- initial foray into the Austin music scene. His feelings are easy to relate to: "They don't play Joe Ely where I come from." And now the band had finally ventured East.

Wink Keziah opened the show with an acoustic set playing without his full band, the Delux Motel. Mark Stuart produced his current release, Working Songs for the Drinking Class. Wait to you hear "A Hot Woman A Cold Beer" - a great song. During his performance I noticed a generation gap when he tried to get the crowd to participate in a sing along - with Lowell George's Willin'. However, it didn't appear that the younger crowd had ever heard this classic - so Wink sung alone.

From their very first song the BSJC were incredibly crisp - probably excited about playing the last show of the tour. Vance Hazen and Jon Lewis were solid on bass and drums, and Mark Stuart has tremendous stage presence, but Lars Albrecht on the telecaster was amazing. The band rocked. They started with originals from their first three CDs (Walk Alone, Distance Between, and Mile Markers), including Austin Nights, but mixed in a few songs from their next release. Wait to you hear this CD - these news songs were rockin'. By the end of the night, the entire club was dancing and when they covered The Blaster's Marie Marie - it was a frenzy. What a night.

In the coming months Wink Keziah and the Delux Motel are playing in several venues throughout his home state of North Carolina. A road trip will probably be planned. And the BSJC will be playing primarily on the West Coast - but if you find yourself in Iowa the end of this month - catch Mark Stuart acoustic shows with Randy Burk and Jared Hall from Randy Burk and the Prisoners.

Saturday, March 22, 2008

Live Music @ Wineries

One of the most overlooked venues to listen to live music is usually in one's backyard; there is an increasing trend for wineries to include live music in their events, whether through annual concert series, Sunday jazz parties, or incorporated into a grape stomp. The wineries book national acts or promote local artists - either way when you combine good wine and good music - you can't go wrong. Close to our headquarters, Tarara Vineyard & Winery in Leesburg Virginia hosts a Summer Concert Series from July through September. This summer they've booked rising local artist Shane Hines and the Trance as well as Derek James, Melanie Mason, the Grandsons, and the Junkyard Saints. What a schedule.

Across the river in Mt. Airy Maryland, Linganore Wine Cellars hosts annual Caribbean, Jazz, Blues, and Reggae festivals. Our favorite is usually the Blues festival where for the past two years we've seen the Nighthawks and The Kelly Bell Band on the same stage. Following Route 15 north into Pennsylvania, Adams County Winery, near Gettysburg, hosts free Saturday afternoon concerts and they've been able to book the Skyla Burrell Blues Band twice this summer. And "neighboring" Mount Hope Estate & Winery hosts a few unique festivals this spring where you can hear Gandalf Murphy & the Slambovian Circus of Dreams, Hot Buttered Rum, Gaelic Storm, and Enter the Haggis. These are just a few examples out of the numerous wineries who host music within an hour 1/2 drive from Washington D.C.

There are other excellent examples in other states. La Belle Amie Vineyard in North Myrtle Beach South Carolina provides a music festival every other Saturday throughout the year. In Boonville North Carolina, RagApple Lassie Vineyards hosts a Saturday Shindig. Then there's Lakeridge Winery in Clermont, Florida; Grande River Vineyards in Palisade, Colorado; Holy-Field Vineyard & Winery near Kansas City; Haak Vineyards & Winery in Santa Fe, Texas and Warwick Valley Winery in Warwick, New York. Perhaps the best lineup is at California's The Mountain Winery - located in Saratoga - near San Jose. They have weekly concerts with mostly well known artists. Wine-Compass.com and MyJoog.com have many of these events posted - just take a look there or the winery's websites.

Tuesday, March 11, 2008

Go Diego Go Live!

Over the weekend we took our son to one of the many Go Diego Go Live! shows playing at the Warner Theatre in Washington D.C. Ignoring the high ticket prices, hidden service charges and convenience fees, and merchandise - the show itself was very entertaining. Much more entertaining than other kid's shows we've attended (i.e. Sesame Street and the Wiggles). First the Warner Theatre is a great venue - there are no bad seats. Second, the cast performed without being childish - which made it interesting for the adults.

The storyline followed a typical Diego show - an animal was in trouble, this time his side kick, Baby Jaguar, lost his growl to the troublesome Bobo Brothers. With the help from the audience, Diego and his entourage - including an appearance by Dora - use his gadgets to track down the Bobo Brothers and return Baby Jaguar's growl. Our favorite performances were from the Rescue Pack and the Coconut Trees. During the entire adventure - our son - as well as the younger audience, was fixated on the stage - growling when asked, clapping, and dancing. At the end, the children were dancing in the aisles. If only there weren't any hidden service charges and convenience fees.

Wednesday, March 5, 2008

Bill Kirchen @ Jammin Java

On Monday March 3rd, I headed to an early show at Jammin Java - to see three guitar wizards on the same stage: Eddie Angel from Los Straitjackets, Mark Gamsjager of the Lustre Kings, and Bill Kirchen. As expected a large crowd greeted me; people were grateful to hear true rock n' roll - or as now known - Rockabilly - the music of Sun Records. There were more people on this Monday night than the previous two Saturday night shows I had attended. Eddie Angel and Mark Gamsjager took the stage first, accompanied by Todd Wulfmeyer on bass cello and Jason Smay on drums. I have been following the Lustre Kings since Shoot the Messenger, but this is the first time I heard Eddie Angel. What a treat. Eddie and Mark alternated songs - from a fast dance tune to a slow lady's choice, with lots of Tex Rubinowitz. But always the guitar playing was outstanding. The music reminded me of old Danny Gatton shows and I was starting to get nostalgic to the old Washington music scene when Eddie started playing "University Boulevard". That did it - I started reminiscing about the days when you could see Tom Principato on Wednesday, Bill Kirchen on Thursdays, Whop Frazier whenever, and Danny Gatton on the weekends. My neighboring listener, Ed, declared that those days are long gone, although he did know a few choice spots where you could still hear great music. My new Washington D.C. historian and planner. Remember when....

After a short intermission, Bill Kirchen took stage with Jack O'Dell on drums and Claude Arthur on the electric upright. What an interesting instrument. He started with Rocks into Sand and included Working Man, Womb to the Tomb, and a little Nick Lowe and Bob Dylan later in the set. You could tell the ease in which Mr. Kirchen plays; as fans yelled requests he'd say okay, and the trio would start in immediately. That's how we heard Prison Band. It seemed like old times - several faces looked familiar from nights out long ago. And his trademark interpretation of the Commander Cody's Hot Rod Lincoln was classic. For fifteen minutes he played signature rifts from historic groups - although he still couldn't mimic Angel's behind the back, point, and play rift. The closest I had gotten to that kind of fun was XM12 XCountry - who play Kirchen fairly regularly. Thanks Jessie Scott.

After another brief intermission Mr. Kirchen brought everyone back on stage for another 45 minutes of rocking music. Everyone took center stage - sometimes dueling, sometimes playing together - but by the end everyone was dancing, clapping, or yelling for more. The show ended uniquely with a dueling drums. One after another each person left the stage until the two drummers were left. They played together for about 5 minutes as Kirchen, Angel, and Gamsjager walked to greet friends and fans.

What a night. The music of Sun Records is slowing dying away - so thanks to these artists for keeping it alive. If you want to help their effort Mark Gamsjager has a relatively new CD out, Way out There and Bill Kirchen released Hammer of the Honky-Tonk Gods last year. But if you want a feel for Monday night, try Hot Rod Lincoln Live!