Showing posts with label Sturgill Simpson. Show all posts
Showing posts with label Sturgill Simpson. Show all posts

Sunday, September 28, 2014

2014 Bristol Rhythm & Roots Reunion - Another Successful Musical Experience

A week has already past since attending the 2014 Bristol Rhythm & Roots Reunion and I've been humming new songs I've heard the entire time. Bristol hosts one cool festival, with venues hosting music in both Virginia and Tennessee along State Street. We started the festival at O' Mainnin's for a quick Wolf Hills Brewing Company, after a 5+ hour drive, with The Whiskey Incident onstage. My Dad wanted to check out The Lonetones so we headed to Borderline Billiards and that was a good call. Good songwriting, nice array of instruments - including a cello, and another Wolf Hills. I very good start to the festival. Afterwards we hurried to the The Paramount Center for the Arts  for Willie Watson of Old Crow Medicine Show and found a very packed theater. Only the last rooms in the back. And Watson delivered with the old timers act playing some old public domain songs as well as a couple originals.  Watson also played a set afterwards at the 620 State stage to an even larger crowd. He is quite the popular act. After a quick bite it was time for Emmylou Harris and this was the largest crowd I've seen for any artist at this event. After a couple songs in the way back we too a side street for a spot adjacent to the stage that provided obscured views, but a good listen. And she was the ultimate Emmylou - graceful - but with a powerful backing band. Despite the great sound we left a tad early for the highlight of the night: Sturgill Simpson. His last two releases High Top Mountain and Metamodern Sounds In Country Music found a permanent residence on my phone. And Simpson showed why he's a rising star - great voice, songwriting, and backing band. Once again, the highlight of the evening and perhaps the festival.


Saturday started with Fiddlin Carson Peters, a master fiddler and showman at ten years old. Keep an eye on that kid. This was followed by a new tradition, a Starr Hill Brewing Grateful Pale Ale at the Piedmont stage - this day listening to Virginia based Bryan Elijah Smith and the roots rocking Wild Heart Revival band.  The band was incredible and I look forward to listening to their new release These American Hearts. Holy Ghost Tent Revival followed on the same stage and rocked the festival playing their new release, Right State of Mind, as well as a very cool cover of Joplin's Piece of My Heart.  Lunchtime brought us to Quaker Steak & Lube and hometown girl The Annie Robinette Band, but I snuck out to see Alligator recording artist Jarekus Singleton. This was the find of the festival - funky blues, classic blues guitar, and a great backing band. His Refuse to Lose is on my playlist right now. My Father, being on a Shel Silverstein kick, recommended The Giving Tree Band, and what a recommendation. This Illinois band is talented - check out their gospel finale. We saw two of their sets - great compositions and musicianship. Eventually it was time again for another set by Sturgill Simpson followed by another new treat, St. Paul and The Broken Bones. Motown soul meets Muscle Shoals; this is one entertaining bunch. Saturday's finale was the legendary Ray Wylie Hubbard and he played his top arsenal Snake Farm, Mother's Blues, Redneck Mothers, Choctaw Bingo - among others. What a night.

Holy Ghost Tent Revival had recommended Oregon's The Quiet Life, so Sunday started off again at the Piedmont stage with another Grateful Pale Ale and more good music.  This is a band to put on your radar. With football Sunday we staked out barstools at the State Line Bar & Grille and listened to Todd Day Wait's Pigpen a three piece folk band from New Orleans. Good enough to purchase their CD. Next up was Arkansas native Adam Faucett who has it all, a mesmerizing voice, plays a good guitar, and nice songwriting. Look at Gypsy Sally's in November. We had to depart his set early for Shaver, Sunday's headliner and my favorite Texas outlaw artist. He's up there, only sings, but his voice remains true. I Want to Live Forever. After autographs, we were able to hit the tail end of Dale Watson and his Lone Star show. A classic. The festival finished where it all started, O' Mainnin's,with King Super and the Excellents singing Del Shannon. Pretty cool. Another great festival.

Photos are available at the MyJoog Facebook page and videos on the MyJoogTV YouTube channel. Cheers.

Friday, August 1, 2014

Time to Start Planning for the Bristol Rhythm & Roots Reunion

I just started making plans for this year's Bristol Rhythm & Roots Reunion held September 19-21 in various outlets within the city. This is easily my favorite music festival; no need for camping, musicians perform at all types of venues; and easy access to food and beer. Plus shuttles buses to the area hotels. Bristol, itself, is considered the Birthplace of Country Music with the likes of the Carter family, Jimmy Martin, and the Stanley Brothers as a short representation on musicians who first recorded there. Coverage our of past ventures to Bristol can be read here, but needless to say, we are quite excited with this year's lineup - starting with Sturgill Simpson. This guy is the future of country music and we are ready to pair him with Emmylou Harris, Shaver, Ray Wylie Hubbard, Dale Watson, and other country - americana legends. Then there's old friends Holy Ghost Tent Revivial and local players in Roger Rasnake, Ed Snodderly, Scotty Melton, Annie Robinette, and Wayne Henderson. Bluegrass fans will be sure to catch Donna Ulisse & the Poor Mountain Boys and Marty Raybon & Full Circle. I'm also excited about The Kruger Brothers, Truth & Salvage Co., Folk Soul Revival, The Black Lillies, M.S.G. – The Acoustic Blues Trio, among many others. And as usual, tickets are extremely affordable - a weekend pass is only $70. See you there.

Thursday, June 26, 2014

Album Review: Sturgill Simpson - Metamodern Sounds In Country Music

Sturgill Simpson is the new face of country music. Or at least he should be. I thought High Top Mountain was an excellent album, but his latest, Metamodern Sounds In Country Music, is even better. Just listen to that authentic voice and sound on Turtles on the Way Down or Life of Sin. The later is pure honky-tonk and the former, well, how many countries songs image the world perched on the back of a turtle and mention aliens.  The next track, Living the Dream, is my favorite - just listen. And keep going, there's story telling, a truckers road song, jam-band material, and much more excellent material. Pair with Woodford Reserve Bourbon (The Woodford Reserve Distillery) from Simpson's hometown of Versailles Kentucky. Cheers.

Thursday, February 27, 2014

Album Review: Sturgill Simpson - High Top Mountain

With the recent announcement that Sturgill Simpson plans to release a new album in May, I decided it time to listen to his critically acclaimed 2013 debut release: High Top Mountain. And yes, the buzz is accurate - this is timeless country - part outlaw, part honky tonk, part "hillbilly soul" - all a freight train ahead rolling forward. The first track (Life Aint Fair and the World is Mean) is a perfect introduction to the album. And then pick your track, You Can Have The Crown or Water in a Well, driving or ballad, these are authenticate songs and all incorporate that timeless old school country sound. The most powerful songs are Hero and Old King Coal - both relating to the major industry in his native Kentucky. I've read a lot of references comparing Sinpson to the late 70's Waylon Jennings - but I think this is the new outlaw country. And boy, I would love to hear a co-bill between Simpson and Mark Stuart of The Bastard Sons of Johnny Cash. Pair with Kentucky's Old Pogue Distillery - a contemporary Bourbon based on historic roots.