Showing posts with label The Gibson Brothers. Show all posts
Showing posts with label The Gibson Brothers. Show all posts

Wednesday, June 13, 2012

2012 Bristol Rhythm & Roots Reunion Rolls Out Awesome Lineup

Bristol Rhythm & Roots
I know many of you (like us) haven't even planned your summer concert itineraries, but get ready for Fall - or September at least when the 2012 Bristol Rhythm & Roots Reunion rolls out their strongest lineup yet. Tickets range from $40-$60 - depending on when purchased and that gets you three days of listening to this awesome lineup. Bristol has a long music tradition from the Carter Family through the Stanley Brothers to contemporaries such as Ed Snodderly and Roger Rasnake. You can check out our previous coverage of this festival here. And as always, expect great food and beer.


 

Friday, September 24, 2010

2010 Bristol Rhythm & Roots Reunion

Scotty Melton, Annie Robinette, The Drunk Uncles, Carson Peters & the Rockhouse Stringband, Kelley & the Cowboys - these may not be household names yet; but they are truly what makes the 2010 Bristol Rhythm & Roots Reunion special. See, these artists played some of our favorite sets over the weekend and which made it even more worthwhile - they were totally unexpected. These were the first time we heard of - let alone seen these artists. The Drunk Uncles got us grooving with some nice Duck-Rabbit Milk Stout and singable country tunes - particularly those from Bob Marley.Carson Peters made me a bit home sick, but this 5-year old is amazing on the fiddle. And Scotty Melton - what a songwriter - have to find a way to get his material - and not just those covered by Justin Townes Earle.

Over the weekend we were also able to catch up with two acts that we met at Floydfest and two acts who participated in MyJoogTV. While driving down, we listened to an EP from Big Daddy Love and they are close to becoming our new favorite act. Interesting songwriting, smooth vocals, and jammin' musicians - what more do you need. And their friends at Possum Jenkins can also put on a great show - more Americana in style - but equally as entertaining.  Then there's Cadillac Sky and Holy Ghost Tent Revival. What more can we say about them, particularly since they stepped up for Episode 1 and Episode 2 of MyJoogTV. Cadillac Sky's performance at the Piedmont stage was the best set I've ever seen them and for HGTR - if you missed the Dance Tent - you missed a raucous crowd, a proposal, and a typical HGTR show: high energy, great music, and loads of entertainment.

It seemed Friday night revolved around the two sets from The Infamous Stringdusters. And why not - each of these guys could front their won band - but together - they could be the most entertaining bluegrass band around. And they were playing in two completely different settings - the subdued but acoustic Paramount Theater and the rowdy Piedmont stage. It sort of reminded me of seeing them at a sit down show at Jammin Java and then a stand up show at Iota. Give me the rowdy - particularly if The New Familiars are involved.See you at The Festy.

Saturday night was a real treat with The Gibson Brothers, Holy Ghost Tent Revival, Cadillac Sky, The Felice Brothers, Drive-By Truckers, and Unknown Hinson.  What a lineup. The Gibson Brothers are true professional - I could listen to them all night long. The Felice Brothers were energetic despite returning from Europe in the previous 24 hours prior to their set. The DbT proved that they are a real rock-n-roll band - they have that aura that says - we are the real deal. And Unknown Hinson - enough said - we appreciate the promoters for getting him on board.

There were also other excellent acts we witnessed over the weekend. Blues were well represented with
Phil Wiggins & Rick Franklin and M.S.G.-The Acoustic Blues Trio. The Carolina Chocolate Drops put on a great set at the State Street stage Sunday afternoon - what an entertaining and talented trio; can't wait for their Birchmere show. We also caught a few songs from   The Steel Wheels, William Walter & Co., and Yarn. Wouldn't be a festival without seeing at least a few numbers from these bands.

The one downside, besides missing other artists because of scheduling conflicts, the sound on Friday night. Big Daddy Love fought through terrible sound engineering - always pushing the engineer for the proper configuration. Sometimes the banjo was too low; other times too loud - the same with most of the other instruments. And on the Piedmont Stage, unless you were right night to the stage, forget about hearing Todd Snider's vocals clearly. And that's a huge issue, since his attraction, his primarily the songwriting. If you can't understand the words - why listen? Fortunately these issues were fixed the following day.

Despite this one complaint - what a great festival. Already looking forward to next year.....

Friday, May 7, 2010

Merlefest 2010

I had the time of my life at last year's Merlefest and could never imagine the festival getting any better. But they succeeded. How, well let's see, my first three hours were spent listening to Cadillac Sky, The Greencards, The Gibson Brothers, and Donna the Buffalo. In fact the herd had more to listen to as a result of John Cowan playing with The Doobie Brothers and Jim Lauderdale having Donna the Buffalo as his backup band. Three sets in two days - sort of alleviates the pain of missing them May 14th at The State Theatre. But with that first four, I could have left happy. But there was much more to see, particularly the acoustic blues artists that I discussed here. Obviously Ben Prestage left his mark, and I've always loved Corey Harris and Phil Wiggins. Add in Harry Manx and blues legend John Hammond and this group easily surpassed last year's group. Thanks Roy Book Binder.

What also made this year so enjoyable that several artists I enjoyed for the first time last year; Missy Raines & The New Hip, The Belleville Outfit, and Bearfoot were back again. Some had slight lineup changes, but they were tight - particularly Missy Raines. They are happening... Last year I only saw one set from Cadillac Sky and was determined to see more. That wasn't too difficult since they were scheduled for six sets over two days. I couldn't help but run into the band. I even overheard a brief practice session inside the college as they prepared for the Midnight Jam. These guys may have a zany stage presence, but they are true professionals. I heard another attendee comment that Cadillac Sky is mimicking The Avett Brothers; and you know there may be some truth to that. All artists absorb some influence from other bands - but I think there is way more originality in their music. They can play true bluegrass, gospel, an Americana flavor and well as straight rock n' roll. Also, loved their a Capella song on the Hillside. Yea, Mayfield is entertaining - but he can play and sing - as do the rest of the band. This is one act on the rise.

One band from last year that I didn't follow as much, because of scheduling conflicts was The Greencards. Last year, I followed them from stage to stage. This year I caught a few songs here and there. But those few songs remind me how talented they are. Whenever I hear Carol sing Patty Griffin's "What you are" it sends shivers down my spine. Every single time; that song was written for her to sing. And Kym and Tyler seem to have quickly acquired chemistry and not to omit Jake who adds a fuller sound with the acoustic guitar. The Greencards are easily one of my favorite bands; I may have taken them for granted this year - but fortunately they are returning to Jammin' Java in July.

Last year Scythian was the band with the buzz - you saw crowds growing each successive set. And these guys are entertaining - even when you've heard the same lead in a dozen times. I was glad they were invited back - and Merlefest can not have a Saturday night dance party without them. But the band with the buzz this year had to be Great Big Sea. I've heard bits and pieces over the year, but nothing comes close to a live performance. I'm talking about charisma, heart pounding percussion, crowd participation. I think this is where Scythian wants to be a decade from now - because Great Big Sea is the best alternative folk act I've seen. Fortunately the band is coming to the Filene Center at Wolf Trap in August. Me and the little boy be on the lawn dancing and clapping away.

The strength of Merlefest is the overall talent of artists that they schedule at the festival. Last year I practically ignored the headliners and searched for the unknown acts - particularly in the Lounge. But this year, the headliners were too much of a draw - and I'm not even including Zac Brown. Actually I was never a big fan of the artist - but was impressed with his performance and demeanor at the Midnight Jam. I think the promoters were real happy that he participated; maybe I should take a look at his earlier work and not the CMT videos. In any case, I couldn't believe the scheduling with the other headliners. Some of the headliners were obvious choices; Sam Bush and Dailey & Vincent come to mind. In fact it was the first time I've been able to see the top ranked bluegrass band in action. They are good. Scheduling Steve Martin playing with the Steep Canyon Rangers was not a risk, but a coup. Perhaps the single msot entertaining set - part comedy, part real bluegrass. And it helps having a phenomenal backup band and a $500 ipad. Only a few songs from the Crow really stuck with me, Daddy Played The Banjo being one of them, so I'm really looking forward to Martin's next tour and collaboration with the Steep Canyon Rangers.

Now, the Merlefest promoters did think outside of the box and scheduled Little Feat and Elvis Costello to headline Friday and Saturday night. Yea, I know Costello performed a few years back, but still - for headliners at Merlefest - not the usual selections. Truth be told, I skipped out of Little Feat, only because I was exhausted after five hours sleep, five hour drive and 12 hours on my feet. Plus I'll see the band on the 9th at The Belmont Country Club when they co-bill with Delbert McClinton for the first show of the Loudoun Summer Music Fest. However, I wasn't going to miss Elvis Costello. I've followed him since high school and "My Aim Is True"; and save for one show at the ACL, I've never seen him live. Then he strolls onstage with an all-star supporting cast lead by Jerry Douglas and Jim Lauderdale. Instant credibility with the audience - this was an alt-country show. He played some new songs - specifically his ode to Doc Watson - but his arrangements for the classics were brilliant.(The Angels Wanna Wear My) Red Shoes, Every Day I Write The Book, and Allison stand out. All I know is that I need to pick up Secret, Profane and Sugarcane.

Saturday was easily the best (and longest) day of music I've experienced, and that doesn't even include the Midnight Jam. The event was hosted by Zac Brown and its a time for the artists to unwind and experiment. The The Greencards played some Don Henley, The Duhks played a little boogie, most played together: Cadillac Sky, Jim Lauderdale, Donna the Buffalo. The stars however, were Samantha and Zeb of the Snyder Family Band. Not only was their performance astonishing because of their youth (11 and 14 respectively), but there stage presence were as good as any mature band. Closing my eyes I thought I heard Tony Rice on guitar and she was the little conductor - nodding to each guest their turn to take lead. How could anyone follow that performance. That was an eye opener - I needed it after listening to 16 hours of live music. What a day.

More photos are available at the MyJoog Gallery.

Saturday, May 1, 2010

2010 Merlefest Day 2

The second day of Merlefest (our first) was quite a day. It started with Cadillac Sky on the Hillside and watching David Mayfield roll down the hill. Then some Greencards, Gibson Brothers, Great Big Sea, Phill Wiggins + Corey Harris, Donna the Buffalo, more Cadillac Sky, Steep Canyon Rangers, Ben Prestage, more Greencards, the Belleville Outfit, Harry Manx, more Donna the Buffalo, Dailey & Vincent, Brave New Combo, Dierks Bentley & the Travlin' McCourys, and Sam Bush. Sorry Little Feat; I had to retire. A great selection of music. I'm also sorry I couldn't fit in the Chris Austin songwriters - but it was Donna The Buffalo.... New music to check out. Great Big Sea was a huge hit; the one man band Ben Prestage; I was also impressed with Dierks Bentley - he's more rounded than most country artists. Want crazy; try Brave New World - they have a great sound.

Today, Saturday, we are looking forward to more Cadillac Sky, Greencards, Great Big Sea, Donna The Buffalo playing with Jim Lauderdale, Scythian, and of course, Roy Book Binders' greatest blues you've never heard acts. This list includes Ben Prestage, Harry Manx, and Phill Wiggins + Corey Harris, but also John Hammond, Mitch Greenhill, and Eleanor Ellis. Its going to be a great day.

Sunday, November 15, 2009

20 Days in November - Day 10: The Gibson Brothers

Last week I noted in a review of the Steep Canyon Rangers that modern bluegrass music is experiencing a renaissance; however I failed to include in the groups responsible - a major contributor: The Gibson Brothers. I had come late to the party regarding this act - having never heard their music until early last spring with the release of Ring the Bell. Now I'm hooked and trying to make up for lost time in respect to their eight previous releases. In fact, the title track to their previous release, Iron and Diamonds was nominated in the 2009 IBMA Song of the Year category. What makes the Gibson Brothers special is the entire package: strong instrumentals, complementary lead vocals, great songwriting, and most of all, fabulous harmonies.

Since receiving Ring the Bell and watching the band's single performance at Merlefest - I have listened to the CD at least once a week. Its that good. And tonight courtesy of the DC Bluegrass Union and the James Lee Community Center, I was able to not only hear a majority of songs from the CD, but also hear an explanation about each song. For instance I learned that two of the songs, "I Know Whose Tears" and "Jericho" were written by North Carolina singer-songwriter Joe Newberry. One of my favorite tracks, "The Wishing Well" was written by Shawn Camp. See, another positive trait, the know how to select great songs written bu other artists. Tonight they also performed Steve Earle's "The Other Side of Town" which is also in Iron and Diamonds as well as the Band's "Ophelia" - released in Long Way Back Home.

Now, Eric and Leigh Gibson grew up in upstate New York and I mean upstate - as in north of the Adirondacks. Their parents owned a dairy farm near the Canadian border which Eric describes in "Farm of Yesterday" as "our backs against the border - staring at the mountains to the south". And most of the original material in their music reflects life within that community. "Farm of Yesterday" is a tribute to their parents and should be the signature song for campaigns against factory farming. My favorite song in Ring the Bell, "Bottomland", which they didn't play this evening echos the struggles of farming. Leigh gave us a history lesson when describing "Iron and Diamonds" and how the iron ore mined just south of their farm was used to make the steel in the Golden Gate bridge and several bridges in NY City. The song is a powerful reminder of the dangers of mining and how the miners coped through their love of baseball. By request they performed the "Barn Song" from Red Letter Day which reminds us how we are losing our family farms. Leigh eloquently states how "town grew up and ate it's farm - all was left was the big ol' barn". And not only are these powerful songs , but Eric and Leigh have surrounded themselves with an excellent supporting cast of Mike Barber (upright bass), Clayton Campbell (fiddle), and Joe Walsh (mandolin). Leigh is the ringleader offering subtle encouragement and praise as he nodded for each to take center stage.And throughout the evening Eric and Leigh maintain that sibling chemistry which allows them to kid the other - as in Eric having " high nasally vocals" - or being proud of the others accomplishments and talents. What a terrific show.

Before the Gibson Brothers took stage, regional bluegrass artist, the Chester River Runoff entertained us with similar song topics. For this band hales from Chestertown Maryland, on the eastern shore and have also seen the demise of farms - sold to accommodate housing developments. Ben Armiger (guitar) and Sam Guthridge (banjo) are the backbone of the quartet and what is readily apparent is that they can write interesting songs. "Too Many Sunny Days" describes their ill fated pumpkin growing enterprise and "getting skinny off the fat of the land". "Plastic Houses" describes the trading of land and development. I really liked Guthridge's song of being a little awkward with the opposite sex in "Until Then" - love the lyric "I'll meet you in the morning, down by the fountain square, sounds good to me, but not as good as staying here". Obviously not as polished as the main act - these guys have a lot of potential - just need a little more established stage presence. But I'll be following them closely - maybe even this Wednesday at the Lion & Bull.

Thanks to the DC Bluegrass Union for a great evening. And as usual, more pictures are available at the MyJoog Gallery.

Sunday, September 13, 2009

The DC Bluegrass Union

We discovered that we've been pretty clueless following music in our own backyard after we stumbled upon the web presence for The DC Bluegrass Union. This organization promotes the DC Bluegrass community and the surrounding area by, among others, organizing concerts and providing a calendar for bluegrass events. One of these events that we will at all costs attend is a concert by The Gibson Brothers - with Chester River Runoff opening at the James Lee Community Center in Falls Church Virginia. The date is Saturday November 14th at 7:00 PM. Tickets are $18 for members & 12 and under $22 for public. What a bargain - The Gibson Brothers.

Wednesday, April 29, 2009

Merlefest: The Songs

At any festival there are usually a handful of individual performances of a song that stick in memory. This leads to remarks down the road such as, remember when Guy Forsyth sang "Mona" at the 2004 ACL? And Merlefest had its share. One example even occurred with the same song, when The Dixie Bee-Liners covered the bluegrass "Pioneer" Bo Didley on the Watson stage.The band played the same song the following day on the Hillside stage - but for whatever reason, their performance Saturday was more memorable. Maybe it was sharing the stage with members of The Belleville Outfit, or playing the main stage, or not being fatigued from 11 performance over 4 days, or just the thrill of hearing one of your favorite songs first played at a "bluegrass" festival.

Then there were the songs saluting fathers. I guess I'm becoming a sappy old dad. It started Friday with Dennis Duff's "A Man of Few Words" during the The 17th annual Chris Austin Songwriting Contest and continued with Emmylou Harris and her tribute to her father Saturday night. And it ended Sunday, with one of the final performances, The Gibson Brothers Bottomland. Fortunately I had downloaded that song to my ipod from their latest CD, Ring the Bell, and listened several times on the drive home. This is a great CD.

Then there was the unexpected, as in The Farewell Drifters cover of John Hartford's "In Tall Buildings. Who are these guys? What a great choice of a song to play. Their "River Song" was another good one.

The most jaw dropping performance occurred Sunday on the Hillside when The Greencards covered Patty Griffin's "What You Are". Many of us had never heard this song previously since it was recorded in Griffin's unreleased Selling Bells. But Carol Young nailed it - what an amazing voice. After wards it took the audience a few seconds to recover before applauding. Unbelievable the talent that amasses at Merlefest.

I would think one of the most memorable performances for those who stayed Sunday, was by Scythian on the Austin\Sugar Hill stage. After Danylo Fedoryka requested that the audience stand and lock arms, the band burst into "Those Were the Days". Hilarious. It did originate in Eastern Europe, so it was quite appropriate for this band. But throughout the entire song the audience swayed from side to side, or kicked, or bopped their head - risking following down the steep hillside. Awesome.