In fact, from what I've read about Hurt and saw this evening, Huber mimics Hurt's soft vocals. Or that impression was merely the result of playing at a venue where many patrons were more concerned conversing than listening. I guess that is one hazard when playing at bars; having to concentrate and perform when so few are actually listening. But there were a few attentive souls; and I liked what we heard. He played mostly originals, with a collection of covers from Robert Johnson ("Me and the Devil Blues"), Mississippi John Hurt, and Lead Belly("Midnight Special" and "In the Pines") - although I guess the later is considered a traditional American folk song made famous by Lead Belly.
His original songs are named such that the artist is at least cognizant of the traditions of wandering folk artists: "When The Water Rises", "Ramblin Gamblin'", and "Old Man Blues #6". And I wonder if his "Before The Devil Knows Your Dead" is a take off of the saying, "May you be in Heaven three days before the Devil knows you're dead". In his songs, I really appreciated the musical arrangements. I can't explain it - its just that his guitar playing just flowed nicely with the lyrics. Maybe its something to do with Huber's classical guitar playing. It just sounded good - even with the noise obstructions at the bar. I only heard the first set since I wanted to make the PinkJams fundraiser - but I'll be sure to visit one of his winery performances...or maybe two.
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